The Black Hunter: Forms of Thought and Forms of Society in the Greek World

The black hunter travels through the mountains and forests of Greek mythology, living on the frontier of the city-state, of adulthood, of class, of ethics, of sexuality. Taking its title from this figure, The Black Hunter approaches the Greek world from its margins and charts the elaborate system of oppositions that pervaded Greek culture and society: cultivated and wild, citizen and foreigner, real and imaginary, god and man. 

Organizing his discussions around four principal themes—space and time; youth and warriors; women, slaves, and artisans; and the city of vision and of reality—Pierre Vidal-Naquet focuses on the congruence of the textual and the actual, on the patterns that link literary, philosophical, and historical works with such social activities as war, slavery, education, and commemoration. 

The Black Hunter probes the interplay of world view, language, and social practice "to bring into dialogue that which does not naturally communicate according to the usual criteria of historical judgement.